Oksana Antipova

Graphic Designer

PARANOIA — image

PARANOIA

A visual identity built around the repetition and fragmentation of the wordmark. The typographic system shifts in scale, spacing, and density, creating a flexible graphic language that can be adapted across posters, apparel, digital formats, and other brand applications.

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IRON GATE TYPEFACE

A modular typeface and poster series developed from the structural elements of an iron gate in Barcelona’s Gothic Quarter. The alphabet is constructed using a restricted set of repeatable geometric modules based on the gate’s bars, arcs, and proportions.

KERF TYPEFACE — image
KERF TYPEFACE — image
KERF TYPEFACE — image

KERF TYPEFACE

An experimental modular type system shaped by wide proportions and soft internal cuts.

X Cubed — image
X Cubed — image
X Cubed — image

X Cubed

A fashion identity built around oversized essentials and everyday comfort. Bold typographic compositions combine clean geometric type with expressive handwritten details, creating a flexible visual language that feels confident, contemporary, and slightly unconventional.

Alfabetter — image
Alfabetter — image

Alfabetter

A skincare brand based on a letter-to-ingredient principle. Each product is identified by a single typographic symbol corresponding to its active ingredient. The letterforms are derived from the shape and cut lines of a sheet mask.

BREADLY — image
BREADLY — image

BREADLY

An artisanal bakery identity inspired by the scoring marks bakers make on bread before baking. These unique cuts became the core visual language of the brand, creating a minimal identity that feels crafted, personal, and contemporary.

SPECTRA — image

SPECTRA

A visual identity for an engineering company specializing in glass, mirror, and metal structures. The system is based on material properties, geometric forms, and construction principles, and is applied across digital and physical communication.

AFTERTASTE — image

AFTERTASTE

A packaging series for candies representing flavors affected by climate change and human impact. Each package uses fading gradients, typographic labels, and flavor-based categories to indicate the gradual disappearance of taste.